While travelling in India, I became fascinated with the variety of patterns in its architecture. Historically, they’re mostly a legacy of the Sultanates and the Mughal Empire, and Islam’s tradition of non-figurative art. But interesting patterns can also be found in Jain, Hindu, Buddhist, Sikh and modern architecture, and also in natural forms.
These galleries collects all the photographs of patterns I took during my visit. I’m releasing these into the public domain. They are far from comprehensive, and others can be found in various places such as Wikimedia Commons.
My first impression of Aurangabad was the mob of autorickshaw drivers, clawing at the gate of the bus compound like zombies. In Bombay, the drivers were relatively civilised, letting you approach them when you needed a lift, and using the meter by default. But I’d moved on from that bubble of sanity and returned to real India now. There was no question of using a meter. The first quoted price for the journey to my couchsurfing host’s house was 350 rupees. Luckily, he’d already told me it should be 100, to 120 max. I laughed in the face of the first offer and walked away. The price quickly came down: 250… 200… At 150, I accepted. I’m not fussy about getting the same price an Indian would; I accept a little bit of overcharging as fair and natural. When it’s a matter of 30 rupees difference, it’s not worth the bother of keeping up the “I’m going to walk away and pretend I don’t really need you” charade any more.
Ashish was another CS host who had a separate apartment for couchsurfers, although unlike Pintu in Bikaner, this one wasn’t filled with drunk, shouting Indians every night. In fact, Ashish, who runs a technical translation agency, used it as an office during the day, and sometimes in the evening, so it was very quiet. It was an ideal little base for a few days.