When I was in India last year, I did a bit of experimenting with stereoscopy.
Stereoscopy is a technique for creating 3D images. By taking one photograph of a subject, then moving position very slightly to the left or right, and taking a second photograph of the same subject, you end up with a stereoscopic pair of pictures. This pair replicates the two slightly horizontally displaced versions of the world seen by each of your eyes. All you need to do then is place the two photographs side by side, and cross your eyes so that one eye is looking at one image, and the other eye is looking at the other one. Your brain then combines and interprets the two images in the way it normally does, to reproduce a 3D perception of the subject.
I used to play about with this technique when I was younger, and visiting some of the forts and ruins of India, I realised they might be particularly good for stereoscopy. I’ve just got around to editing the photos into pairs, so here they are.
My last stop in India, before returning to Delhi, was Lucknow, the state capital of Uttar Pradesh. It was also my last couchsurfing experience: I stayed with Alex, a former artillery officer turned property investor, with an interest in colonial history. We got on well.
Lucknow was one of the key locations in the 1857 Indian Mutiny (which I wrote about previously in the Jhansi and Gwalior post). It was the capital of Awadh (or Oudh to the British), formerly a Mughal province, later a quasi-autonomous kingdom ruled by a Nawab. It was the British overthrow of the Nawab and annexation of Oudh which was one of the causes of the Mutiny. The British garrison in Lucknow were besieged in the Residency complex (the official home of the Resident, the East India Company‘s equivalent of an ambassador to a native state) and held out for six months of intense fighting until relieved. Afterwards, the scarred but still standing Residency building became one of the symbols of British tenacity. I imagine that in India, it was equally powerful as a symbol of continuing oppression.