New Year’s resolutions 2018

2017 was a bit of a wash out on resolutions. Buying a house and starting to renovate it took up too much time. In 2018, the house work continues, plus we’re getting a puppy in a couple of weeks. So I don’t hold out much hope for these:

1. Complete The Lords of Midnight.

2. Switch to a non-free private email provider.

3. Switch to safety razors, shaving soap and brush.

4. Watch 13 specific films:

The Cabinet of Dr. Caligari (1920)
The Adventures of Robin Hood (1938)
Ben-Hur (1959)
Cleopatra (1963)
Zardoz (1974)
Sholay (1975)
Network (1976)
Logan’s Run (1976)
Close Encounters of the Third Kind (1977)
Conan the Barbarian (1982)
Tron (1982)
Apollo 13 (1995)
Contact (1997)

New Year’s resolutions 2017: end of year review

It’s time to see how I did with my 2017 New Year’s resolutions. And the answer is: very poorly.

1. Complete The Lords of Midnight.

Status: failed.

2. Use DuckDuckGo at all times.

Status: largely passed.

DuckDuckGo is a search engine which doesn’t track you. You should use it.

3. Switch to a non-free private email provider.

Status: failed.

4. Switch to safety razors, shaving soap and brush.

Status: failed.

5. Switch to a better solution than takeaway coffee cups.

Status: mostly passed.

I was gifted a Keep Cup which helped me to achieve this one.

6. Watch 13 specific films.

Status: passed, barely.

I say barely because I watched the last one, Gandahar, on 1st January 2018. But I achieved the higher goal: knocking a good chunk out of the “films I want to watch” list.

What next?

I’m going to carry 1, 3 and 4 forward to 2018. A bit shamefully, this is 1’s fourth year as a resolution. I’ll carry forward 6 as well, with a new list of films.

Patterns of India (Part 5: Miscellaneous)

While travelling in India, I became fascinated with the variety of patterns in its architecture. Historically, they’re mostly a legacy of the Sultanates and the Mughal Empire, and Islam’s tradition of non-figurative art. But interesting patterns can also be found in Jain, Hindu, Buddhist, Sikh and modern architecture, and also in natural forms.

These galleries collects all the photographs of patterns I took during my visit. I’m releasing these into the public domain. They are far from comprehensive, and others can be found in various places such as Wikimedia Commons.

Part 1: Delhi
Part 2: Agra and Fatehpur Sikri
Part 3: Rajasthan
Part 4: Chandigarh
Part 5: Miscellaneous

AMRITSAR

Harmandir Sahib

A gold painted relief pattern on the Golden Temple of Amritsar


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Patterns of India (Part 4: Chandigarh)

While travelling in India, I became fascinated with the variety of patterns in its architecture. Historically, they’re mostly a legacy of the Sultanates and the Mughal Empire, and Islam’s tradition of non-figurative art. But interesting patterns can also be found in Jain, Hindu, Buddhist, Sikh and modern architecture, and also in natural forms.

These galleries collects all the photographs of patterns I took during my visit. I’m releasing these into the public domain. They are far from comprehensive, and others can be found in various places such as Wikimedia Commons.

Part 1: Delhi
Part 2: Agra and Fatehpur Sikri
Part 3: Rajasthan
Part 4: Chandigarh
Part 5: Miscellaneous

CHANDIGARH

The Rock Garden

The Rock Garden of Chandigarh is one of the great outsider art installations of the world, on a par with the Palais Idéal in France.

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Patterns of India (Part 3: Rajasthan)

While travelling in India, I became fascinated with the variety of patterns in its architecture. Historically, they’re mostly a legacy of the Sultanates and the Mughal Empire, and Islam’s tradition of non-figurative art. But interesting patterns can also be found in Jain, Hindu, Buddhist, Sikh and modern architecture, and also in natural forms.

These galleries collects all the photographs of patterns I took during my visit. I’m releasing these into the public domain. They are far from comprehensive, and others can be found in various places such as Wikimedia Commons.

Part 1: Delhi
Part 2: Agra and Fatehpur Sikri
Part 3: Rajasthan
Part 4: Chandigarh
Part 5: Miscellaneous

Rajasthan retained a large degree of autonomy and aristocratic Hindu culture under the Mughals. Its art and architecture is therefore more figurative, and outside the scope of these galleries. However, Mughal influence can be seen, especially in the patterns of Amber Fort in Jaipur, below. Also, I couldn’t resist the peacocks, which are almost abstract in their kaleidoscopic exuberance.

BIKANER

Junagarh Fort


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Patterns of India (Part 2: Agra and Fatehpur Sikri)

While travelling in India, I became fascinated with the variety of patterns in its architecture. Historically, they’re mostly a legacy of the Sultanates and the Mughal Empire, and Islam’s tradition of non-figurative art. But interesting patterns can also be found in Jain, Hindu, Buddhist, Sikh and modern architecture, and also in natural forms.

These galleries collects all the photographs of patterns I took during my visit. I’m releasing these into the public domain. They are far from comprehensive, and others can be found in various places such as Wikimedia Commons.

Part 1: Delhi
Part 2: Agra and Fatehpur Sikri
Part 3: Rajasthan
Part 4: Chandigarh
Part 5: Miscellaneous

AGRA

Itimad-ud-Daulah

The tomb of Mirza Ghiyas Beg, a chief minister of the Mughal Empire, the Itimad-ud-Daulah was built in the 1620s and was a strong influence on the design of the Taj Mahal.

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Patterns of India (Part 1: Delhi)

While travelling in India, I became fascinated with the variety of patterns in its architecture. Historically, they’re mostly a legacy of the Sultanates and the Mughal Empire, and Islam’s tradition of non-figurative art. But interesting patterns can also be found in Jain, Hindu, Buddhist, Sikh and modern architecture, and also in natural forms.

These galleries collects all the photographs of patterns I took during my visit. I’m releasing these into the public domain. They are far from comprehensive, and others can be found in various places such as Wikimedia Commons.

Part 1: Delhi
Part 2: Agra and Fatehpur Sikri
Part 3: Rajasthan
Part 4: Chandigarh
Part 5: Miscellaneous

DELHI

Purana Qila

One of Delhi’s oldest forts, built by Sher Shah Suri, who temporarily supplanted the Mughal Emperor Humayun in the mid 1500s.

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Meal deal economics

The law of demand is one of the most widely understood laws of economics: if you raise the price of something, fewer people will buy it; if conversely, if you reduce its price, more people will buy it.

The law generally holds true as long as the goods in question don’t have any special properties or constraints. However, there are a number of known exceptions, for example:

  • Veblen goods – expensive goods which are desirable for the status they confer on anyone rich enough to buy them. Contrary to the law of demand, demand for a Veblen good will rise as its price increases.
  • Giffen goods – a cheap but essential good which counter-intuitively increases in demand as its price rises. This is because, if a staple food (e.g. bread) rises in price, the poorest consumers have to stop buying more expensive foods (e.g. meat), and spend the savings on more of the cheapest good.

I hypothesise the existence of another type of good which behaves as an exception to the law of demand: a meal deal good.

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Cultural Highlights of 2016

In a year of relentless tragedy and despair, here are a scant few things I enjoyed.

BOOKS

Malcolm LowryUnder The Volcano

This was my third attempt at tackling Lowry’s famously impenetrable novel. The first chapter is particularly gruelling, but after breaking through it for the first time, the dark humour and self-flagellating wisdom which follow make it all worthwhile. For anyone tempted to have a go themselves, I found these notes very helpful in decrypting the dense symbology.

Keith RobertsPavane

The best thing I read all year though, by far, was Pavane. It’s an alternate history novel, in which Elizabeth I was assassinated, the Reformation was quashed, and a triumphant Catholic Church retarded scientific progress. In the 20th century setting of the novel, England has steam-powered road locomotives, a network of giant semaphore towers for cross-country communication, and new stirrings of political and religious revolution.

But the appeal of the ahistorical premise isn’t what makes Pavane such a great book. This year, I also read S. M. Stirling’s The Peshawar Lancers, in which a late 19th century meteor shower destroys civilisation in the northern hemisphere, the British elite relocate to India, and by the early 21st century, a steampunk Anglo-Indian empire is in conflict with a devil-worshipping Central Asian Tsardom. This premise is equally interesting. However, Stirling’s novel turned out to be a huge disappointment: a poorly-written mediocrity, no more than a third-rate Raj adventure story with added airships.

Roberts’s, on the other hand, is so beautifully written it’s almost poetry. By the time you’ve read his description of a steam wagon making its way across the Dorset heath on a foggy night, oiled pistons hammering and scalding water dripping from the tank, or of a semaphore tower, its clacking wooden levers, and the blistered hands of its Guild apprentice operator, it’s impossible to believe that such things never even existed.

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