While travelling in India, I became fascinated with the variety of patterns in its architecture. Historically, they’re mostly a legacy of the Sultanates and the Mughal Empire, and Islam’s tradition of non-figurative art. But interesting patterns can also be found in Jain, Hindu, Buddhist, Sikh and modern architecture, and also in natural forms.
These galleries collects all the photographs of patterns I took during my visit. I’m releasing these into the public domain. They are far from comprehensive, and others can be found in various places such as Wikimedia Commons.
Rajasthan retained a large degree of autonomy and aristocratic Hindu culture under the Mughals. Its art and architecture is therefore more figurative, and outside the scope of these galleries. However, Mughal influence can be seen, especially in the patterns of Amber Fort in Jaipur, below. Also, I couldn’t resist the peacocks, which are almost abstract in their kaleidoscopic exuberance.
It wasn’t the most auspicious introduction to a new city: I arrived in Udaipur on an uncomfortable nightbus, on which I’d been kept awake most of the night by a full bladder. I hadn’t found a couchsurfing host, and the recommended hotel had messed me around and eventually told me they were full, so I’d had to book a more expensive one down the road. Arriving at 7am, I’d had to wake up the duty manager who was asleep on a mattress in the foyer.
For several days before I travelled there, everyone had been telling me how beautiful Udaipur was. I’d been sceptical – I’ve seen a lot of places in India which are sort of beautiful, but ruined by filth and human activity – but eventually my expectations couldn’t help but be influenced by the repeated message.